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50 Years In, What's the Point of U2? Bono and the Edge Have Answers.

Oct 17, 2026 · 1h 4m

Summary

David Marchese of the New York Times interviews Bono and The Edge in Dublin to celebrate U2’s 50th anniversary and the release of their new album, Carnival de Luz. The conversation explores the band’s enduring legacy, their spiritual influences, and the concept of "defiant joy" as a response to global political turmoil. They also discuss the evolution of their creative process, the challenges of reaching new audiences in the streaming era, and upcoming tour plans that blend shamanism with show business.

Topics discussed

Sponsor: A Few Good Men on Broadway Introduction: U2 in Dublin and interview setup Defining the 'best' band and artistic longevity Pop charts, jealousy, and songwriting standards Incorporating gospel and faith into rock music Navigating religious themes without dogma Reflecting on career peaks and legacy The song 'Glorify' and its minimal demo Origins: Larry's kitchen and teenage neurodivergence Band names, mythology, and early influences Evolution of the 'Carnival de Luz' album concept Creating defiant joy as a counter to anxiety Defiance vs. apathy and the role of rage Sponsor: A Talent for Murder film Sponsor: Vanguard bond funds Protest music without explicit political naming Confronting evil and the song 'If the World is at War' The 'People of the Lie' and political commentary Political polarization and inviting conservatives back Global health crisis and DOGE cuts impact Faith, enemies, and the nature of the current crisis Band dynamics, humor, and embracing failure Personal quirks and what drives bandmates Vulnerability of performers and core drives Songwriting process and iterative creation Edge's guitar style and opposition to clichés Music reinvention in a post-Vietnam era New management strategies and unexpected venues Dada-like absurdity and tour experimentation The iTunes experiment and music industry economics Taking risks and accepting failure Shamanism, show business, and post-truth era Two types of silence: contemplative vs. cowed Love vs. fear and the live show experience Ticket pricing and challenging the audience Where the band is in its 50-year story Why Edge stays: the 'design' of the band Stage conflicts and the seriousness of music Closing remarks and production credits Sponsor: American Petroleum Institute
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